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If you follow Doctor Who on social media – and I cannot recommend their joyful and incredibly fan-positive Tumblr highly enough – then you’ve seen slices of the world tour: Capaldi and Jenna Coleman in increasingly sharp outfits, strange-looking lost-in-translation moments onstage (Capaldi doing a very shy version of the twist in South Korea; Capaldi holding a sombrero in Mexico), and, most importantly, endless queues of fans. Sonic screwdrivers and fezzes, long brown coats and rainbow scarves, Weeping Angels and Cybermen and TARDIS dresses that never fail to inspire my deepest envy – we saw pictures of crowds around the world all looking pretty much the same, united by their love of a single thing: a British cultural institution, half a century old now, but with the potential for endless regeneration.
I found empirical support for the idea that the Harry Potter series influenced the political values and perspectives of the generation that came of age with these books. Reading the books correlated with greater levels of acceptance for out-groups, higher political tolerance, less predisposition to authoritarianism, greater support for equality, and greater opposition to the use of violence and torture. As Harry Potter fans will have noted, these are major themes repeated throughout the series. These correlations remained significant even when applying more sophisticated statistical analyses – when controlling for, among other things, parental influence.
While motherhood can make you more efficient overall, it does not grant you the ability to bend time and space. It does not make it possible to be in two places at once. It does not diminish your need for sleep and relaxation, even if you are surviving on little of either. The truth is, you can want to be working your arse off, but if you can’t afford childcare, you can’t afford childcare. If your child is ill, your child is ill. If you’ve been up all night with a screaming baby, you can’t simply will the exhaustion away. You can lean in until you’ve almost toppled over but the truth is, having children takes its toll and even if it’s not on your employer, it will be on you.
Why, then, have black people not taken to the streets of Missouri and mown down every white policemen that they have set eyes on? It is not because they have otherworldly powers of emotional restraint, because that would be to suggest that they were somehow less human, less sensitive, than any other group suffering their fate. No: it is because they are mourning a member of their community, and they are looking for justice. It is impossible, on that note, to imagine that Mike Brown been white he would have been left lying on the tarmac for so many hours after his death, the latest gruesome testimony to America’s racial inequality.
When I was a child, I’d go to my grandmother’s house and start writing. When I picked up my pencil, she’d tell me that in her day, left-handers would be forced to write with their right hands, which seemed ridiculous to me. Luckily, those days were over and although my left-handedness is still treated as a curiosity by people who expect me to have terrible script, I can write as I wish – but sometimes I imagine how absurd, not to mention vindictive, a campaign to return to this would look, and wonder if we’ll ever reach a similar point where my transition is quietly accepted as a matter of bodily autonomy.
I’m well aware that five years ago – maybe even just two or three years ago – I wouldn’t have been asked to write a column about fan culture. I wouldn’t have pitched it, either. But the world has changed – is changing, and quickly. Many fans have spent years, decades, even, shielding themselves from mainstream scrutiny – but it’s impossible to deny that the scrutiny is here, butting up against things a lot of people have held cloistered for a long time (and, given the misunderstanding and mockery, with good reason). As technology advances, the shapes of our conversations change, as does the way we consume media – and even the way that media is created is shifting. We’re watching the world of entertainment and the way we engage with it reshape itself in real time. And it’s easier than ever to see the other people who love our thing, or the people who make our thing, or the people who want to monetise our love of the thing.